A recently discovered set of answers to a Q and A from a Spanish music journalist , which Ricky Gardiner typed out, that give an interesting insight into the Low David Bowie session at the Chateau d'Herouville . Go intuit the questions !
 Ricky also took this enigmatic kodachrome image (see below ) of the Brain Eno at the Chateau d'Herouville during these sessions

ANSWERS FOR SPAIN

1: DAVID PHONED ME AND ASKED IF I WOULD GO TO THE CHATEAU AND PUT ON SOME LEAD GUITAR. I AGREED.

2: THE IDIOT TOUR WAS GREAT FOR ME, AFTER BEGGARS OPERA, BECAUSE IT WAS ALL FIVE STAR—— MARVELLOUS.

3: I SEEMED TO FIT IN VERY WELL—- TALKING TO CARLOS, GEORGE MURRAY AND BRIAN ENO WAS A LOT OF FUN.

4: I DID PRETTY MUCH AS I WISHED. DAVID SEEMED TO BE TAKEN WITH THE TREMOLO ARM.

5: BREAKING GLASS. I LIKE YOUR DESCRIPTION ‘ LIKE MECHANICAL FUNK’. 

6:’WHAT IN THE WORLD’. YOU SAY IT HAD A POWERFUL RHYTHM. IT SHOULD BE REMEMBERED THAT TONY VISCONTI, BEING A BASS PLAYER, TOOK DRUMMING VERY SERIOUSLY.

7: ‘SOUND AND VISION’. THIS WAS VERY MEMORABLE BECAUSE MARY SANG SO BEAUTIFULLY ON IT.

8: ‘ALWAYS CRASHING IN THE SAME CAR’. THIS WAS THE FIRST OF THE SOLOS I OVERDUBBED. I BELIEVE BRIAN WAS THERE. THEY, DAVID, BRIAN AND TONY, SEEMED TO LIKE IT.

9: ‘BE MY WIFE’. I LIKE THE PIANO AFTER THE INTRO. IT STRIKES ME THAT ROY WAS ON SONG THERE.

10: ‘A NEW CAREER IN A NEW TOWN’. THE THING I TAKE FROM THIS IS GEORGE MURRAY’S RIFF ON THE PRECISION BASS AT TWO MINUTES AND TWENTY THREE SECONDS.

11: CARLOS AND I GOT ON VERY WELL. OUR COLLABORATION WAS VERBAL.

12: THE ‘LUST FOR LIFE’ ALBUM JUST HAPPENED. I DO NOT REMEMBER ANYONE DIRECTING AS SUCH.